Inspiration and Collaboration The song "Rise Up" was co-written by Sia and produced by Hit-Boy and Chase N Cashe. It was released as part of the soundtrack for the animated film "Epic" in 2013, showcasing a powerful message about resilience and empowerment. The song reflects themes of self-esteem and personal growth, consistent with the narrative of the movie. Empowering Themes The lyrics convey a call to rise above challenges and support oneself and others, particularly emphasizing women's rights and gender equality, which have been significant topics in Beyoncé's work. In connection with this, Beyoncé's performance of the song resonates with her ongoing commitment to inspiring social change and encouraging listeners to strive for betterment. Context of Release Upon its release, "Rise Up" was met with enthusiasm, noted for its uplifting message and the emotional delivery that Beyoncé is renowned for. The song aims to foster a sense of hope and empowerment, addressing both personal struggles and broader societal issues. The creation of "Rise Up" aligns with Beyoncé’s artistic vision to blend her music with impactful messages, ultimately aiming to inspire listeners to take charge of their lives and uplift each other.
The song "Love on Top," was written by Beyoncé, Terius Nash and Shea Taylor. To me, this song has always had a "happy" feel to it. Plus, I love the way she keeps singing in a higher and higher key until its like her head is going to pop if she goes any higher.
What to tell customers wishing to purchase any of my multiplication fact rhymes set to music, should I ever have any... You can download music from Bandcamp, not just stream it; when you purchase music on Bandcamp, you are provided with a download link to access the audio files in various formats like MP3, FLAC or WAV depending on your preference. Key points about downloading from Bandcamp: Direct download link: After purchasing music, you'll receive a download link on the purchase confirmation page and in your email receipt. Format selection: You can choose the audio format you want to download, like MP3, FLAC or WAV. Accessing downloads: You can access your purchased music and download options through your Bandcamp account, specifically on the "Collection" page. Bandcamp app: You can also download music directly to your mobile device using the Bandcamp app for offline listening. It costs nothing to sign up for a Bandcamp account as a music buyer; you can create a free account to browse and purchase music on the platform.
This is Exxxxxxxx with the Song of the Year songwriting contest. We wanted to let you know that your song has placed within the top five songs (in your category) in the previously held contest. You can find your "Finalist" placing song listed on the lower section of the results page located at: https://www.songoftheyear.com/winners_2024d.htm Even though you did not "win" the top placement within your category, you still can benefit from your "Finalist" placement. The Finalists' songs will be sent out to our music resources including labels, publishers, promoters, management companies and more.
https://www.songoftheyear.com/holiday.htm Holiday Song - Radio Opportunity The "Holiday Song - Radio Opportunity" is back! All Christmas, New Years, Hanukkah, Kwanzaa or "Holiday Themed" songs entered into the Song of the Year "songwriting contest" will be forwarded to program directors for air-play consideration this holiday season at no additional cost. Last year 43 individuals received radio play with this opportunity. There are no additional fees associated with the "Holiday Song - Radio Opportunity" (beyond the standard submission fee to enter songs into the regular Song of the Year songwriting contest). When you enter your song into the "songwriting contest", you can select the category that best fits the "style of music" of your song (since there is not a specific "Holiday Category"). This is due to the fact that 'ALL' holiday-themed songs entered into the regular songwriting contest (regardless of the category) will be sent to national radio stations for holiday airplay consideration. For example, if you have a "country" Christmas song, you would then select the "Country Category" on the submission form. If you have a "pop" holiday song, you would then select the "Pop Category". The Submissions Department reviews all of the songs that are entered into the songwriting contest. When we hear that the submission is a holiday song, we will note it accordingly and make it eligible for the holiday opportunity. Those writers who receive airplay will be contacted between December 12th - December 31st. (You submitted the Christmas song you wrote sometime during the week of November 3rd.)
A song's revenue can be divided into mechanical rights, sync licenses, performance royalties (from radio play, live performances), master royalties (from the recorded sound), print music royalties (for sheet music sales), digital performance royalties (streaming services), neighboring rights (certain broadcast uses), and potential revenue from merchandise or brand partnerships tied to the song, depending on the licensing agreements involved. Key points to remember: Mechanical rights: Payment for the reproduction and distribution of a musical composition (like digital downloads, physical sales). Synchronization (sync) license: Fee paid to use a song in visual media like films, TV shows, commercials. Performance royalties: Earned when a song is publicly performed, like on radio or in a live concert. Master royalties: Revenue generated from the recorded version of a song, typically controlled by the record label or artist. Print music royalties: Payment for the sale of sheet music. Digital performance royalties: Royalties specifically from streaming services. Neighboring rights: Specific rights related to broadcast use of a recording, which can vary by region. Who can share in these revenue streams: Songwriters: Receive mechanical and performance royalties based on their songwriting credits. Publishers: Collect and distribute mechanical and performance royalties on behalf of songwriters. Recording artists: Earn master royalties from the sale of their recordings. Record labels: May receive a share of master royalties and other revenue streams based on their contract with the artist.