I recorded this video merely to see what kind of product ai.invideo.io produces. Despite what the script written by the program says, Numerical Price Prediction does NOT use past price action to project patterns into the future. Rather, it uses patterns from the past to interpret what is happening in the present, and also to calculate the possible location of significant support and resistance levels where traders might find opportunity to buy or sell a given asset. In no way does the system suggest that price will arrive at a certain level. It simply suggests what actions a trader could opt to take IF rates end up here or there, depending on the actual set of circumstances he or she observes at that time!
If one person writes and owns the copyrights on a song lyric, but someone else writes the music and makes a recording, who owns the publishing rights? The ownership of publishing rights in a song can be negotiated and specified in a music publishing agreement. In many cases, the person who writes the lyrics may own the copyright to the lyrics, and the person who writes the music may own the copyright to the musical composition. When it comes to publishing rights, it's common for the parties involved to reach an agreement on how the royalties will be split. This can depend on negotiations and the contributions of each party. It's advisable for all parties involved to have a clear and written agreement to avoid any disputes later on. For specific legal advice regarding a particular situation, it's recommended to consult with a legal professional who specializes in intellectual property or music law. (Okay, that's what ChatGPT says...but what does bing say?) If one person writes and owns the copyrights on a song lyric, but someone else writes the music and makes a recording, the publishing rights are typically split between the two parties. The person who wrote the lyrics owns the lyric copyright and is entitled to 50% of the publishing rights. The person who wrote the music and made the recording owns the sound recording copyright and is also entitled to 50% of the publishing rights. It's important to note that these percentages can vary depending on the agreement between the parties involved. If there is no agreement, the default rules of the Copyright Act apply, which means that both parties are joint owners of the song and have equal rights to use the work for whatever they desire.
Use the following as a template for the rules outlining the Songwriting Collaboration contest YOU'RE planning to conduct via YouTube... RULES HOW TO ENTER Online Entries: Please enter online by clicking here. We accept mp3 or m4a files for songs. You also may provide a link to where your song is online, and Unsigned Only will access it there. Mail-in entries must include: A completed entry form (photocopy is acceptable) with an original signature. The song(s) on CD or tape. If you are submitting multiple songs or one song in multiple categories, please put them all on one CD or tape, if possible. If entering a CD, submit the entry in a regular-sized CD case (not an ultra-thin case) and label the spine with entrant's name in black marker. Also, be certain that the entrant's name is marked directly on the CD, CDR, or tape. If entering a tape, label the spine of the case with entrant's name. Please include a track listing of the songs in the correct order. A copy of the lyrics for each entry (please include English translation, if applicable, and type or print legibly). Please include your email address on the lyrics. Do not send sheet music with your entry. Entry Fees and Deadlines When you enter multiple categories, the entry fee will correlate to the number of songs and categories, and the deadline period you are entering: Early Bird Deadline: September 27, 2023 - $25 per entry Regular Deadline: January 24, 2004 - $30 per entry Extended Deadline: April 27, 2024 - $35 per entry Checks and money orders should be made payable to Unsigned Only Payment from countries outside the US must be in the form of a bank check, money order, cash, or credit card in USD.Personal checks are not accepted from outside the U.S.If you want to make a bank transfer or pay with Western Union, please email info@unsignedonly.com for more information. Mail entries to: Unsigned Only (please mark this clearly on your package) 3940 Gallatin Pike Nashville, TN 37216 USA Unsigned Only reserves the right to extend any/all deadlines throughout the competition. Entrant retains all ownership rights to all original song(s). Unsigned Only will not have any ownership rights to any song(s) submitted. Entrant agrees to release, indemnify, and hold Unsigned Only, its sponsors, and judges harmless for liability, damages, or claims for injury or loss to any person or property relating to, in whole or in part, directly or indirectly, participation in Unsigned Only. By entering Unsigned Only, entrant and/or their parents or legal guardian (if such entrant is a minor) agree to accept and be bound by the decisions of Unsigned Only and its judges which are final and binding in all matters. By entering Unsigned Only, entrant agrees to be bound by all terms of these official Unsigned Only Rules And Regulations as established herein. This Contest is governed by the internal laws of the state of Tennessee without regard to principals of conflict of laws. All cases and claims pertaining to this competition must be brought in a court of competent jurisdiction in the City of Nashville, TN, without recourse to class action suits. Unsigned Only prohibits any song or lyrics written partially or in full by ChatGPT or any other AI-generated content. If Unsigned Only identifies any abuse or violation of this policy, the artist will be immediately disqualified and removed from the competition, and no refund will be given to the Entrant. Entrant......................................................................... If any provision of these Rules is found to be invalid or unenforceable by a court of competent jurisdiction or appointed arbitrator, such determination shall in no way affect the validity or enforceability of any other provision herein. Unsigned Only is open to all artists who are not signed to a major label record company and/or its affiliates or subsidiaries (indie label artists are eligible). Unsigned Only is open to anyone regardless of nationality or origin. Employees of Unsigned Only, its families, subsidiaries and affiliates are not eligible. If entrant is under 18 years old as of the last day of the competition year, the signature of a parent or guardian is required or if by entering online, it is agreed that the parents or legal guardian legally allow the submission and are bound by all rules of the competition. Entrant may submit as many songs as desired in each category. Entrant may also enter the same song in more than one category. It is entrant's responsibility to ensure that the submitted song(s) are complete and playable. All entry fees are non-refundable. Unsigned Only does not give feedback or a critique to entrants. Entry materials (CDs, tapes, and videos) submitted will not be returned to the entrant. Unsigned Only is not responsible for late, lost, damaged, misdirected, postage due, stolen, incomplete, or misappropriated entries. Unsigned Only reserves the right to change the category of the entry if the listening committee deems it in the best interest of the entrant/entry. Unsigned Only reserves the right to extend the entry deadline with an increased entry fee. Unigned Only also reserves the right to offer special promotions during and after the entry deadline. Entries are screened by an Unsigned Only listening committee who select a group of finalists. These finalists are sent to the judges who select the winners. The judges consists of high profile music industry professionals including celebrity artists and music journalists. All Unsigned Only Finalists will be included in public voting via our website to determine the Fandemonium Winner. Any attempts to submit false 'bot' votes via fake emails in order to manipulate the numbers will result in the automatic disqualification of that finalist from winning the Fandemonium Award. Winners for the 2024 competition will be announced by September 2024. Unsigned Only will post all results on its website and will notify entrants by email that results are posted. Entrant is responsible for providing up-to-date and correct email addresses to Unsigned Only. Unsigned Only is not responsible for entrant's non-receipt of any Unsigned Only emails for any reason, including but not limited to, server or email malfunctions. Unsigned Only will use its best efforts to announce the winners at the designated time but will not be held liable for any unforeseen delays. Winners will be notified by email or phone. Entry constitutes permission to use winner's name, likeness, and voice for future advertising and publicity purposes without additional compensation. All prizes will be awarded to the performer(s) of the song. The entrant listed on the entry form will be the point of contact between Unsigned Only and the performer(s) and will be responsible for the division of prizes among the performers.. There will be no transfer and substitution of prizes except as necessary due to availability in which case a prize of equal or greater value will be awarded. All winners agree to release Unsigned Only and sponsors from all liability regarding prizes won. All federal, state, and local taxes, and customs fees, when applicable, are the sole responsibility of winner. Unsigned Only will not pay any winners' taxes or custom's fees. Prizes will be sent out within a reasonable amount of time, and Unsigned Only will use its best efforts to send prizes out in a timely fashion. Prizes which are being sent to winners from Sponsors may take longer than prizes sent directly from Unsigned Only. If after 180 days of winners being announced, any winner has not received any portion of prizes, it is winner's responsibility to notify Unsigned Only in writing within 30 days, and by certified mail, as to which prizes are outstanding. If winner fails to notify Unsigned Only, Unsigned Only will no longer be responsible for delivery of prizes.
https://www.graffiti-empire.com/graffiti-generator/ (A maximum of only ten letters) https://flamingtext.com/logo/Design-Graffiti-Burn https://www.textstudio.com/logo/graffiti-tag-text-102 (This one was fast and easy. It's also easier to read.) https://www.textstudio.com/logo/graffiti-generator-447 (This was even faster.) https://cooltext.com/ I like this one best. It's the easiest, fastest, with the greatest variety and is the easiest to read!
Where to Trade Crypto via MT5? https://fx-list.com/brokers-for-us-traders After the global financial crisis of 2008 which had its origins in the US subprime mortgage market, there were general calls for better regulation of the various markets operating in the United States. The Dodd-Frank Act was a direct consequence of this agitation. This law strengthened the Commodities and Futures Trading Commission, enabling it to oversee not just the conventional financial markets, but also the swaps market which was valued in trillions of dollars. Changes to the way business was conducted in the US financial markets were sweeping and aggressive. Some of the changes which were directly targeted at the retail segment of the market were as follows: A) Introduction of leverage caps in forex and options, pegging leverage at 1:50 for forex majors, and 1:20 for forex minors, and forex options trading. B) Elimination of hedging ability via the introduction of the First In, First Out (FIFO) Rule. Thus rule states that a position on an asset must first be closed before another can be opened on the same asset. The FIFO rule effectively ended the hedging style of traders placing opposing positions on the same asset. C) Stratification of traders in the FX market was institutionalized, as these rules were targeted at the so-called "unsophisticated" investors, defined as traders with assets that are less than $10million, as well as small businesses. Professional and commercial traders (investment banks) were largely exempted from these changes. According to the CFTC, these rules were meant to protect the retail clients from overexposing their money to the market and from taking excessive risk. But to what extent these rules have actually protected the retail consumers of forex products in the US is anyone's wildest guess. What the regulators of the US financial markets will not readily reveal, is that many traders in the US simply exited the US market and migrated their accounts to brokerage platforms in other countries. Forex brokers located in the US have had whatever market share they had badly eroded, and brokers without the kind of purposeful structure that the former US brokers suddenly emerged as less desirable but ready alternatives to traders who were unwilling to trade under the new conditions in the US. In other words, the Dodd-Frank Act actually stifled the forex brokerage business in America and the statistics do not lie. During the good times, more than 40 retail FX brokers were serving both US and international clients. Ever since Dodd-Frank became law, that number dwindled to the three brokers mentioned above, and the international clientele base simply moved away from the US and on to brokerages in the UK, Europe, Australia and the Caribbean. A lot of the damage in the US forex brokerage business environment came as a result of the $20million bond which was imposed as a requirement for starting a forex brokerage business in the US. Tax reporting requirements have also scared off many brokerages from accepting US clients. Clearly, no foreign forex company wants to get the same kind of attention that Huawei got from the US government in 2019, or what TikTok got in 2020.